so i drove 5 hours yesterday from north east england down to swansea wales, did a gig for Yes Cymru in the Railway club, wind street…a big room, half empty. but i really enjoyed it, did almost 2 hours, first half down on the floor , second half up in the big stage.
Thing is, it was very loose. it was like a full flexing of a lot of my material. some people come in late, one woman and her 2 friends come in half way through the second half. now, i’d already had a name call at the start of the night, got everyone’s first names. so i ask late comer in the audience, a lady, her name. she answers, and then adds ‘o’n i wedi mynd i’r ysgol gyda ti’/I went to school with you. To which my immediate response is ‘well i might get a shag after all!’. i mean that was my spoken response. You have to bare in mind this is a comedy performance, it’s a comedian performance night, and i’m doing a lot of interacting with diffrent members of the audience along the way to here, my response getting laughs from the crowd, and i thought in that moment – or rather i didn’t think at all -it was a funny thing to say. But it wasn’t my usual pun, it was a sexual joke. I might get a shag after all….which i then subverted into carpets….but the damaged had been done. as you’ll discover next time in the next exciting installment of ‘she was convicted but only within an ounce of manslaughter’.
would you say it’s obvious that what i’ve done was offensive? or could be offensive the words i spoke i thought anyone enjoying the comedy would be able to take. in other words it was harmless. maybe i misread some element in the crowd ? but that wasn’t really a factor, as it wasn’t really a proper crowd, not in the unified homogenised group sense. or maybe they were, but it looked more like like bunch of individuals rather than audience. weird. it was somewhere half way between a comedy club and a workingmens’ club. not that any of that was a factor. nobody responded in a bad way. it’s just that, at the end of the night, i found out…
Toby finds his way/Lesley and Harry buy a propeller/the visit to Stanford
anyway, i finish my performance and get a good applause from the audience – that’s important to mention, as i am so insecure. one bloke comes up to me and says’ aren’t you gonna talk to your old school chum?’ well it hadn’t occurred to me to do that as i didn’t know that ‘old school friend’ meant ‘friend’ in the usual sense. and, top of that, she’d said she’d been a year below me at school. so of course i didn’t know her from adam (Or eve). But chivalry is the better part of valour, just take the u away. i went up to her before my leaving. yes my leaving, no late drinks for me, no listening to the busking instruments and folk songs. But billy said something very pertinent to me the other day: history, that is the history found in books, is written by the winners. but the folk songs are written by the losers. and i believe it. is i was half jesting when i apologised, in welsh, for insulting her. That is i did it as a matter of form, so yes i did want to do it, but then i wish i hadn’t. Turns out she was, seriously, i mean actually, offended, and said to me (in welsh) ‘yeah well there was no need for language like that’, o’dd dim eisie iaith fel ‘na’. I don’t get it. i mean it kind of shocked me, it hurt me – does that make a narcisiisit? i mean she’s the one who’s expressing some – what ? I don’t know if that person was hurt, but it’s possible. sensitivity, but then, why do people come in to a comedy performance half way through, and leave their sense of humour at the door?? Huh ?! i mean i’m sensitive too, and it’s there in my stage work.
work?!
I didn’t argue with her, – though i was very tempted to – just pointed out to he that it, i mean by it the previous hour, had a comedy show in it, and that’s why bad language made itself known. It was good language just made up of expletives. In other words my response to her was a JOKE! it wasn’t serious! Welsh language comedy is like twenty years behind – i mean okay i accept there’s no need for bad language for comedy to be funny, but the interacting, the chatting with audience members, this all adds an extra edge to it – because it leads to spontaneous truth. and it leads something unexpected, even if that’s the audience in the room saying or doing something unexpected. If you’re in the audience in a live comedy show you have to be aware of the context. The two way dynamic between the audience and the act – that is the context.
I got really dejected after her critical remark, i felt ashamed inside, a pain in the stomach. That all happened after i’d come offstage, like i said. oh and by the way , just to make it clear, i was doing an english language gig, but the possibility to do some jokes in welsh was there, so i did. i tried to make myself feel as light about it as i could. On the way home from the gig i tried to put her comments in perspective. and then in a little glass bottle. Perhaps it’s just an occupational hazard. after all the show did go great. and you can’t please everybody
saying we went to school together is kind of like saying ‘ You haven’t changed at all!’ – and that is something i have been told by a couple of people who i went to school with. BUT it’s not true. It’s a stupid observation, Of course i have changed!!!! of course i’ve fuckin changed. i’m not that anymore
Wales, Cymru, fuckin hell….wish i could perform somewhere else sometimes, where no fucker is going to volunteer the unasked for information that they went to school with me.
as far as i ‘m concerned a comedy stage is my safe space, and anyone offended by my joke response to their naive remark aught to remember that.
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